In their very last adventure, Jonathan and Jennifer Hart travel to The Big Apple, where a play she wrote in college is being produced on Broadway. But there's sabotage going on, and when a stagehand is murdered, everyone's a suspect - even Jonathan!

In their very last adventure, Jonathan and Jennifer Hart travel to The Big Apple, where a play she wrote in college is being produced on Broadway. But there's sabotage going on, and when a stagehand is murdered, everyone's a suspect - even Jonathan!

Set in San Francisco, Jonathan and Jennifer Hart are faced with the prospect of being reunited with Jonathan's long lost sister, and her nephew. Is it possible that Jonathan will finally discover a key to his past or will the "family" turn out to be after something, putting Jonathan and Jennifer in danger's past one more time?

Adrian is a classic outsider. His playful, dreamy imagination distracts him from everyday life, for the reality he lives in could not be more different. Neither his chronically depressed uncle nor his overworked grandmother understand the ten-year-old’s games. His mother abandoned him when he was very young and he is bullied at school. Just as news arrives that three children are missing, a new family moves in next door. Adrian develops a close relationship to their tomboyish, ten-year-old daughter Nicole and believes he is getting close to solving the mys- tery of the missing children. New Zealand forms the backdrop for this universal story for adults and those who have never wanted to grow up. It is a story about friendship and loneliness, emotions which Adrian already feels so poignantly as a child. The Danish first-time director’s expressive visual language dramatically merges water and air, reality and a hint of fantasy.

Who knows Berthold Beitz? Fewer and fewer people. He shaped the history of Germany like no other, be it as the leading industrial manager of Krupp or as the rescuer of numerous Jews during National Socialism.

In a world gone soft and flabby, the greatest threat to humanity’s survival isn’t global warming, but a wobble in the earth’s rotation caused by the excess weight America has gained in the form of obesity and useless consumer junk. Now, audacious lone crusader Grant Fitzgerald (Scott A. Evans) runs for president of the United States to expose the truth about this menace.

Jung is a mortician at the morgue, who has to rely heavily on medicine for his severe tuberculosis and arthritis. Despite his illness, cleaning and dressing the dead is a noble and even beautiful work. His life over there is both a reality and a fantasy while the corpses are his models and friends for his paintings, his sole living pleasure. Why this morbid hobby? Jung was adopted by a horrible woman who used him as a slave for her dress shop. The natural son of the woman is younger than Jung and has a strange desire. He wants to transform his male body into a female one. Despite the love and hate relationship Jung has with his brother and burdened with the weight of life and the difficulties he has to deal with at his job, Jung endures the pain and prepares a last gift for his brother...

In 1933 Oregon, Samuel Murphy is torn from his daughter and sent to a brutal work camp. Warden Clancy tempts him with early release if he smuggles gold through deadly wilderness, but betrayal festers within the crew, and Murphy questions how far he’ll go to see his child again.

New Yorker Zoe Hart has it all figured out - after graduating top of her class from medical school, she'll follow in her father's footsteps and become a cardio-thoracic surgeon. But when her dreams fall apart, Zoe decides to work at a small practice in Bluebell, Alabama.

Julio returns with his family to Argentina after the downfall of the brutal dictatorship that overpowered long-standing democracy. Things soon take an ugly turn as his brother is kidnapped and Julio becomes the lead negotiator with the criminals.